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How to read chord symbols: C, Am, G7, Cmaj7…

A chord symbol reads from left to right. First the root, a letter such as C or A; then, if needed, what changes its colour: m for minor, 7 for an added seventh, maj7 for a major seventh, and a few more. French uses the same logic with Do, Ré, Mi: C is Do, Am is Lam, G7 is Sol7 and Cmaj7 is Do7M. Here are the pieces one group at a time, each one to hear.

First, the letter: the root

The first part of a chord symbol is always its root, the note the chord is built on. In English it is a letter from A to G. French-speaking countries, and several others, use the syllables Do, Ré, Mi instead, so the same chord can appear under two names:

  • CDo
  • DRé
  • EMi
  • FFa
  • GSol
  • ALa
  • BSi

A letter on its own means a major chord: C is C major, D is D major. If the root is a black key, its sharp or flat is part of the name: B♭ (“B flat”) is a major chord built on B♭. Any sharp inside the chord, like the F♯ of D, is not written in the symbol.

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C E G: a letter alone, a major chord.

m for minor

A small m right after the root makes the chord minor: its third, the middle note, comes down a semitone. Am is A minor, Dm is D minor, Em is E minor. In French they become Lam, Rém and Mim, with the m stuck to the syllable.

Some books write min or a dash (A–) instead. Watch the case: a lower-case m means minor, while a capital M, when you see one, means major. The guide on major and minor chords explains what that one semitone changes.

  • Root
  • Chord note
  • The note the symbol changes

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A C E: the m lowers the third from C♯ to C.

7 and maj7: a fourth note on top

A number adds a note. The most common one is 7: a seventh stacked above the chord. There are two sizes, and the symbol tells them apart.

  • 7 alone adds the note 10 semitones above the root, a tone below the octave. G7 is G B D F.
  • maj7 adds the note 11 semitones above the root, just a semitone below the octave. Cmaj7 is C E G B. French writes it 7M: Do7M. You may also see M7 or Δ.
  • m7 combines both pieces in order: a minor chord (m) with a 7. Am7 is A C E G.

The usual trap: a 7 on its own is never the major seventh. Read the letters before the number.

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G B D F: G major plus F, 10 semitones above G. In French: Sol7.

Later: sus4, dim and slash chords

Three more symbols turn up regularly. You don’t need them on day one, but they are easy to decode once the root and the m are clear.

  • sus4 (“suspended fourth”) replaces the third with the fourth. Dsus4 is D G A. It often moves back to the plain chord, D F♯ A.
  • dim (or °) means diminished: a minor third and a fifth lowered to 6 semitones. Bdim is B D F; French writes Si°.
  • A slash names the bass: C/E is a C chord with E as its lowest note. In French, Do/Mi. The guide on chord inversions shows why pianists use them.

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  1. Dsus4
  2. D
D G A, then D F♯ A: the G steps down to F♯.

Decode a symbol

Here is every symbol in this guide, all on C. Read each one from left to right: root, then m if any, then the number, then whatever comes after the slash. The chord dictionary does the same for any root.

SymbolIn FrenchNotesRead as
CDoC E GC major
CmDomC E♭ GC minor
C7Do7C E G B♭C dominant seventh
Cmaj7Do7MC E G BC major seventh
Cm7Dom7C E♭ G B♭C minor seventh
Csus4Do sus4C F GC suspended fourth
CdimDo°C E♭ G♭C diminished
C/EDo/MiE + C E GC major, E in the bass

Your turn

Find the notes behind the name

Question 1 of 6

Which notes make Em?

In short

  1. The root comes first: a letter (C) or, in French, a syllable (Do). Alone, it means a major chord.
  2. m makes the chord minor; 7 adds the seventh 10 semitones up; maj7 (French 7M) the one 11 semitones up.
  3. sus4, dim and slash chords come later, decoded the same way, left to right.