How to read chord symbols: C, Am, G7, Cmaj7…
A chord symbol reads from left to right. First the root, a letter such as C or A; then, if needed, what changes its colour: m for minor, 7 for an added seventh, maj7 for a major seventh, and a few more. French uses the same logic with Do, Ré, Mi: C is Do, Am is Lam, G7 is Sol7 and Cmaj7 is Do7M. Here are the pieces one group at a time, each one to hear.
First, the letter: the root
The first part of a chord symbol is always its root, the note the chord is built on. In English it is a letter from A to G. French-speaking countries, and several others, use the syllables Do, Ré, Mi instead, so the same chord can appear under two names:
- CDo
- DRé
- EMi
- FFa
- GSol
- ALa
- BSi
A letter on its own means a major chord: C is C major, D is D major. If the root is a black key, its sharp or flat is part of the name: B♭ (“B flat”) is a major chord built on B♭. Any sharp inside the chord, like the F♯ of D, is not written in the symbol.
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m for minor
A small m right after the root makes the chord minor: its third, the middle note, comes down a semitone. Am is A minor, Dm is D minor, Em is E minor. In French they become Lam, Rém and Mim, with the m stuck to the syllable.
Some books write min or a dash (A–) instead. Watch the case: a lower-case m means minor, while a capital M, when you see one, means major. The guide on major and minor chords explains what that one semitone changes.
- Root
- Chord note
- The note the symbol changes
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7 and maj7: a fourth note on top
A number adds a note. The most common one is 7: a seventh stacked above the chord. There are two sizes, and the symbol tells them apart.
- 7 alone adds the note 10 semitones above the root, a tone below the octave. G7 is G B D F.
- maj7 adds the note 11 semitones above the root, just a semitone below the octave. Cmaj7 is C E G B. French writes it 7M: Do7M. You may also see M7 or Δ.
- m7 combines both pieces in order: a minor chord (m) with a 7. Am7 is A C E G.
The usual trap: a 7 on its own is never the major seventh. Read the letters before the number.
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Later: sus4, dim and slash chords
Three more symbols turn up regularly. You don’t need them on day one, but they are easy to decode once the root and the m are clear.
- sus4 (“suspended fourth”) replaces the third with the fourth. Dsus4 is D G A. It often moves back to the plain chord, D F♯ A.
- dim (or °) means diminished: a minor third and a fifth lowered to 6 semitones. Bdim is B D F; French writes Si°.
- A slash names the bass: C/E is a C chord with E as its lowest note. In French, Do/Mi. The guide on chord inversions shows why pianists use them.
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- Dsus4
- D
Decode a symbol
Here is every symbol in this guide, all on C. Read each one from left to right: root, then m if any, then the number, then whatever comes after the slash. The chord dictionary does the same for any root.
| Symbol | In French | Notes | Read as |
|---|---|---|---|
| C | Do | C E G | C major |
| Cm | Dom | C E♭ G | C minor |
| C7 | Do7 | C E G B♭ | C dominant seventh |
| Cmaj7 | Do7M | C E G B | C major seventh |
| Cm7 | Dom7 | C E♭ G B♭ | C minor seventh |
| Csus4 | Do sus4 | C F G | C suspended fourth |
| Cdim | Do° | C E♭ G♭ | C diminished |
| C/E | Do/Mi | E + C E G | C major, E in the bass |
Your turn
Find the notes behind the name
Question 1 of 6
In short
- The root comes first: a letter (C) or, in French, a syllable (Do). Alone, it means a major chord.
- m makes the chord minor; 7 adds the seventh 10 semitones up; maj7 (French 7M) the one 11 semitones up.
- sus4, dim and slash chords come later, decoded the same way, left to right.